Today in France, this summer, there are those who will have the means and the chance to attend major music festivals that will entertain the countless holiday destinations of our country. These festivals, bringing together prestigious artists and informed audiences, comprise of magnificent elements to be proud of and of embody the greatness of our country. It reveals the incredible cultural vitality of our territories to the many participants. Moreover, it has become a major sector of the economy, creating jobs, inspiring and sponsoring new works, and attracting tourists from around the world.
One may also notice that next to these activities, there are also many other artistic endeavours. This is true for even the smallest villages and not only in the areas celebrated for international tourism: theatre, dance and reading festivals; as well as painting exhibitions and book fairs.
However, a large part of France is forgotten in this general holiday: the neighbourhoods where most of today’s young unemployed live. Young people who are full of energy and talent, who for the most part do not go on vacation, and do not swarm to these festivals. In a very real sense, nothing artistic is proposed to these youths to brighten their summer; it is a cruel reflection of the reality of our country.
Of course, there are other magnificent initiatives, whether conceived by them or for them, including: Laurent Bayle with Demos, (35 symphony orchestras, composed of young musicians from the neighbourhoods, with successes growing across the country); and Patrick Souillot with the “Fabrique Opéra” (which organizes in many French cities great works of opera with the participation of students and teachers of technical high schools, in popular theatres, attracting huge audiences that would have never thought of going to an opera house). And there are so many others. In particular, festivals of new genres, born in these neighbourhoods, ranging from slam to hip hop, Sufi singing and African music.
It should not stop there. Not a district of France should be deprived of access to culture. Those moments of celebration that, during the summer break, bring together the most privileged, may also exacerbate feelings of injustice, frustration, and thicken the glass ceiling which separates the two France.
Indeed, it is because there are two Frances. One for whom the chances of success through studies and networks are offered. And another France that does not have access to the best schools or family support and networks. And that is why it is urgent to offer access to culture; in the interest of all.
Furthermore, a wholesome result will only be achieved when the two Frances mingle. In particular, when those neighbourhoods have the desire and the means to come and watch the art performances, which may be intimidating, but held very close to their homes at times, in beautiful neighbourhoods close-by. Moreover, it will be achieved when the regulars of traditional festivals understand that there is tremendous artistic creativity in all these festivals and exhibitions of new genres, which will be found more and more in the other France.
Art is made of these mixtures, encounters, shocks, and inventions. France has a great opportunity to invent and inspire the artists of the planet; once more. Will France want it?
j@attali.com